Crespo runs Pigment with the intensity of a founder who still feels behind. This energy extends to how she thinks about the so-called “SaaSpocalypse.” In her view, AI is a sorting event: some new players, like Pigment, will adopt the technology, while many legacy vendors will struggle to bolt AI onto old architectures. She’s betting she can outrun the incumbents.
Several of them work specifically with annotating videos, images and speech for Meta’s AI systems.
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It's not a bright, bubbly, or even joyous palette. These hues are a reflection of the Bride's need to be heard, to be seen. She will not be demure; she demands to stand out. This exhibitionism is further bolstered by the aforementioned dance numbers. The film is not just Frank and the Bride's story, but also their fantasy. Having long clung to Hollywood cinema for solace in a lonely existence (relatable!), Frank imagines meeting his bride as something out of a movie. He even mimics a Ronnie Reed dance move he saw on the silver screen to woo her. Later, they will envision themselves on the screen — as dancing lovers, as lurking monsters — and they will bring both of these fantasies into their journey, as they decide who they will be to each other.